Online Paintings

The history of Budapest began with Aquincum, originally a Celtic settlement that became the Roman capital of Lower Pannonia. Hungarians arrived in the territory in the 9th century. Their first settlement was pillaged by the Mongols in 1241-42. The re-established town became one of the centers of Renaissance humanist culture in the 15th century. Following the Battle of Mohacs and nearly 150 years of Ottoman rule, development of the region entered a fresh age of prosperity in the 18th and 19th centuries, and Budapest became a global city after the 1873 unification. 

"The Princess and the Pea" may be a literary fairy tale by Hans Christian Andersen about a young woman whose royal identity is established by a test of her physical sensitivity. The story was first published with three others by Andersen in an inexpensive booklet on 8 May 1835 in Copenhagen by C.A. Reitzel.

Andersen had heard the story as a child, and it likely has its source in folk material, possibly originating from Sweden as it is unknown within the Danish oral tradition. Neither “The Princess nor the Pea" nor Andersen's other story of 1835 were well received by Danish critics, who disliked their casual, chatty style, and their lack of morals.

In 1959 "The Princess and therefore the Pea" was adapted to the musical stage in a production referred to as once upon a Mattress starring Carol Burnett.

Plot:


The story tells of a prince who desires to marry a princess, but is having difficulty finding a suitable wife. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night, a young woman drenched with rain seeks shelter in the prince's castle.


She claims to be a princess, so the prince's mother decides to test their unexpected guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 feather beds. In the morning the guest tells her hosts—in a speech colored with double entendres —that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her.

The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.

Louise Moillon (1610–1696) was a French painter in the decorative era. She became known as one of the best female still life painters during her time, and worked for King Charles I of England, as well as the French nobility.


Biography:
Moillon came from a strict Calvinist family. Her father, Brother Isaac, and stepfather were both paint dealers and artists themselves. According to the RKD, Louise learned to paint from her father Nicolas Moillon and Francois Garnier. She gained her particular style of still life painting from the Academia de Saint-Germain-des-Pres. She usually signed her paintings with Louyse Moillon.Moillon lived and worked in France her whole life.


Paintings:
The majority of her work was done in the 1630s, before her marriage in 1640 to wealthy timber merchant Etienne Girardot de Chancourt. Though her last dated work is from 1645, she died of heart failure during 1696. Her work continues to be admired for its quiet style.


 Four still-life paintings, once thought to be Moillon's, have now been reattributed to Osias Beert, a Flemish still life artist.

Animation is the rapid display of a sequence of images of 2-D or 3-D artwork or model positions to create an illusion of movement. The effect is an optical illusion of motion due to the phenomenon of persistence of vision, and can be created and demonstrated in several ways. The most common method of presenting animation is as a film or video program, although other methods.

Claymation or animation laminates often abbreviated as Claymation, uses figures of clay or a similar malleable material to create stop-motion animation. The figures may have a wire frame or truss within them, similar to puppet animation related to (below), which can be manipulated to represent the figures. Moreover, the figures can be made entirely of clay, as in the films of Bruce Bickford, where clay creatures transformed into a variety of ways.



Examples of clay-animated works include The Gumby Show (U.S. 1957-1967) Morph shorts (UK, 1977-2000), Wallace and Gromit shorts (UK, from 1989), Jansvankmajer of Dimensions of Dialogue (Czechoslovakia, 1982), The Trap Door (UK, 1984). Films include Wallace & Gromit: The Curse of the vegetables, Chicken Run and The Adventures of Mark Twain.

A couple who only wants a child living next to a garden belonging to a witch. The woman, who experience the anxiety associated with the arrival of his long-awaited pregnancy announcements Rapunzel plant planted in the garden and longs desperate to death. In each of two nights, the husband breaks into the garden to pick some of their. In a third night, as the scales of the wall to return home, the enchantress, "Dame Gothel" catches him and accuses him of theft. He begs for mercy, and the old promises to be lenient, on condition that the unborn child is then given to her at birth.
At these words, Rapunzel is covered with long hair, just around a hook by the window, falling down to the witch, who then would raise the hair to the tower room of Rapunzel. One day a prince walks through the woods and hears the song of Rapunzel's tower.

Princess Aurora was born from King Stefan and his wife, Queen Leah. At her christening, she was given gifts by two of the three fairies that showed up. Following this, the bad fairy named Maleficent showed up, angry at not being invited, and put a curse on Aurora stating that at the age of sixteen, she would prick her finger on the spindle from the spinning wheel and die. Luckily the third good fairy, named merry weather, had not presented a gift yet and is able to change the curse to sleep instead of death. Concerned, the three good fairies take Aurora to a secluded cottage in the wood and change her name to Briar Rose.

When Aurora grows to be a teenager, she is dancing and singing in the forest when she meets a handsome man who happened to hear her singing. Briar Rose does not realize he is Prince Phillip, and they agree to meet again that evening.

Meanwhile the three good fairies are preparing for her birthday and to surprise her with the news that she is a princess. But when Briar Rose returns with the news of meeting a strange but enchanting man, the fairies must tell her she can never see him again. The three fairies tell her about the future that is set for her and that night they take her back to the palace. Aurora is saddened that she will never see the man from the forest and asks to be left alone. The three fairies oblige.

Aurora suddenly sees a floating spark of light cast by Maleficent and, in a trance, follows the spark to a spinning wheel. All the three good fairies try to stop her, but Maleficent spell is too strong and Aurora touches the spindle, pricking her finger. She has been put in a bed by the fairies where she can sleep peacefully. To prevent further hurt in the kingdom, the fairies put the whole kingdom to sleep.

They discover that Prince Phillip is the man in the forest and he's walking in to a trap, and they help him confront Maleficent. After Prince Phillip fights and seemingly kills Maleficent, who transformed into a dragon, he moves upstairs to Aurora's bedroom and kisses her; she wakes up from the spell and smiles. They dance at the ball announcing her betrothal.

Through the Looking-Glass and What Alice Found There (1871) is a work of literature by Lewis Carroll. It is the follow-up to Alice's Adventures in Wonderland (1865). The themes and settings of Through the Looking-Glass make it a kind of mirror reflection of Wonderland: the first book begins outdoors, in the warm month of May (4 May),  uses frequent changes in size as a plot device, and draws on the imagery of playing cards; the second opens indoors on a snowy, freezing night exactly six months later, sees frequent changes in time and spatial directions as a plot device, and draws on the imagery of chess. In it, there are many mirror themes, including opposites, time running backwards, and so on.

In this reflected version of her own house, she finds a book with looking-glass poetry, "Jabberwocky", whose reversed printing she can read only by holding it up to the mirror. She also observes that the chess pieces have come to life, though they remain small enough for her to pick up.

Upon leaving the house, she enters a sunny spring garden where the flowers have the power of human speech; they perceive Alice as being a "flower that can move about." Elsewhere in the garden, Alice meets the Red Queen (now human-sized), who impresses Alice with her ability to run at amazing speeds—a reference to the chess rule that queens are able to move up to seven spaces at once, and in any direction, making them the most "agile" of the pieces. 

The Red Queen reveals to Alice that the entire countryside is laid out in squares like a gigantic chessboard, and offers to make Alice a queen if she can move all the way to the eighth rank/row in a chess match. Alice is placed in the second rank as one of the White Queen's pawns, and begins her journey across the chessboard by boarding a train that literally jumps over the third row and directly into the fourth rank, acting on the rule that pawns can advance two spaces on their first move.

The Treasure of Guarrazar is an archeological find composed of twenty-six votive crowns and gold crosses that had at first been offered to the Roman Catholic Church by the Kings of the Visigoths in the seventh century in Hispania, as a gesture of the orthodoxy of their faith and their submission to the religious hierarchy. The most valuable of all is the votive crown of king Reccesuinth with its blue sapphires from the former Ceylon, now Sri Lanka, and spectacular pendilia. Though the treasure is now divided and much has disappeared, it represents the best surviving group of Early Medieval Christian votive offerings, and was probably comparable to groups deposited in other major European shrines that have now disappeared.

The treasure, which represents the high point of Visigothic goldsmith's work, was dug between 1858 and 1861 in an orchard called Guarrazar, in Guadamur, very close to Toledo, Spain. The treasure was divided, with some objects going to the Musee de Cluny in Paris and the rest to the armouries of the Palacio Real in Madrid. Subsequently most of the Treasure of Guarrazar was stolen and has disappeared.

The Visigothic period (409-711) provides an interesting chapter in the history of Guadamur.
In August 1858, heavy storms in Guadamur uncovered a series of tombs at the site of the gardens of Guarrazar. These remains were found by neighbours Francisco Morales and Maria Perez.


The jewellery found at Guarrazar is part of a continuous tradition of Iberian metalworking that goes back to prehistoric times. These Visigothic works were influenced heavily by the Byzantines, but the techniques of gem encrustation found at Guarrazar were practised throughout the Germanic world and the style of the lettering was Germanic too. The crowns, however, were purely Byzantine in form and never meant to be worn. They were gifts to the church, to be hung above the altar.
These findings, together with other of some neighbors and with the archaeological excavation of the Ministry of Public Works and the Royal Academy of History (April 1859), formed a group consisting of:

• National Archaeological Museum of Spain: six crowns, five crosses, a pendant and remnants of foil and channel.

• Royal Palace of Madrid: a crown and a gold cross and a stone engraved with the Annunciation. A crown, and other fragments of a tiller with a crystal ball were stolen from the Royal Palace of Madrid in 1921 and its whereabouts are still unknown.

• National Museum of the middle Ages, Paris: three crowns, two crosses, links and gold pendants.

There were also many fragments of sculptures and the remains of a building, perhaps a Roman sanctuary or place of purification. After its dedication to Christian worship as a church or oratory, it housed a number of graves. A skeleton lying on a bed of lime and sand was found in the best preserved grave. This slate is now in the National Archeological Museum of Spain in Madrid. The inscription on the Sonnica cross, a piece preserved in Paris, gives an indication about the name of this church.

The Areopagus or Areios Pagos is the 'Rock of Ares', north-west of the Acropolis, which in classical times functioned as the high Court of Appeal for criminal and civil cases in Athens. Ares was supposed to have been tried here by the gods for the murder of Poseidon's son Alirrothios (a typical example of an aetiological myth).

The origin of its name is not clear. In Greek pagos means big piece of rock. Areios could have come from Ares or from the Erinyes, as on its foot was erected a temple dedicated to the Erinyes where murderers used to find shelter so as not to face the consequences of their actions. Later, the Romans referred to the rocky hill as "Mars Hill," after Mars, the Roman God of War. Near the Areopagus was also constructed the basilica of Dionysius Areopagites.

In pre-classical times (before the 5th century BC), the Areopagus was the council of elders of the city, similar to the Roman Senate. Like the Senate, its membership was restricted to those who had held high public office, in this case that of Archon. In 594 BC, the Areopagus agreed to hand over its functions to Solon for reform. He instituted democratic reforms, reconstituted its membership and returned control to the organization.

In 462 BC, Ephialtes put through reforms which deprived the Areopagus of almost all its functions except that of a murder tribunal in favor of Heliaia.

In The Eumenides of Aeschylus (458 BC), the Areopagus is the site of the trial of Orestes for killing his mother (Clytemnestra) and her lover (Aegisthus).

Phryne, the hetaera from 4th century BC Greece and famed for her beauty, appeared before the Areopagus accused of profaning the Eleusinian mysteries. Legend has it that she let her cloak drop, so impressing the judges with her approximately divine form that she was summarily acquitted.

In an unusual development, the Areopagus acquired a new function in the 4th century BC, investigating corruption, although conviction powers remained with the Ecclesia.
The term "Areopagus" also refers to the judicial body of aristocratic origin that subsequently formed the higher court of modern Greece.