Wednesday, December 28, 2011

The Budapest



The history of Budapest began with Aquincum, originally a Celtic settlement that became the Roman capital of Lower Pannonia. Hungarians arrived in the territory in the 9th century. Their first settlement was pillaged by the Mongols in 1241-42. The re-established town became one of the centers of Renaissance humanist culture in the 15th century. Following the Battle of Mohacs and nearly 150 years of Ottoman rule, development of the region entered a fresh age of prosperity in the 18th and 19th centuries, and Budapest became a global city after the 1873 unification. 

It also became the second capital of Austria-Hungary, an excellent power that dissolved in 1918. Budapest was the focal point of the Hungarian Revolution of 1848, the Hungarian Soviet Republic of 1919, Operation Panzerfaust in 1944, the Battle of Budapest of 1945, and also the Revolution of 1956.

The first settlement on the territory of Budapest was built by Celts before 1 AD. It was later occupied by the Romans. The Roman settlement - Aquincum - became the main city of Lower Pannonia in 106 AD. The Romans constructed roads, amphitheaters, baths and houses with heated floors during this fortified military camp.

The peace treaty of 829 added Pannonia to Bulgaria due to the victory of Bulgarian army of Omurtag over Holy Roman Empire of Louis the Pious. Budapest arose out of two Bulgarian military frontier fortresses Buda and Pest, situated on the two banks of Danube. Hungarians led by Arpad settled in the territory at the end of the 9th century, and a century later officially founded the Kingdom of Hungary. Research places the probable residence of the Arpads as an early place of central power close to what became Budapest. 

The Tatar invasion in the 13th century quickly proved that defence is difficult on a plain. King Bella IV of Hungary thus ordered the construction of reinforced stone walls around the towns and set his own royal palace on the top of the protecting hills of Buda. In 1361 it became the capital of Hungary.

The cultural role of Buda was particularly significant throughout the reign of Matthias Corvinus of Hungary. The Italian Renaissance had an excellent influence on the city. His library, the Bibliotheca Corviniana, was Europe's greatest collection of historical chronicles and philosophic and scientific works in the 15th century, and second only in size to the Vatican Library. 

After the foundation of the first Hungarian university in Pecs in 1367, the second one was established in Obuda in 1395. The first Hungarian book was printed in Buda in 1473. Buda had about 5,000 inhabitants around 1500

Thursday, December 15, 2011

The Princess and the Pea



"The Princess and the Pea" may be a literary fairy tale by Hans Christian Andersen about a young woman whose royal identity is established by a test of her physical sensitivity. The story was first published with three others by Andersen in an inexpensive booklet on 8 May 1835 in Copenhagen by C.A. Reitzel.

Andersen had heard the story as a child, and it likely has its source in folk material, possibly originating from Sweden as it is unknown within the Danish oral tradition. Neither “The Princess nor the Pea" nor Andersen's other story of 1835 were well received by Danish critics, who disliked their casual, chatty style, and their lack of morals.

In 1959 "The Princess and therefore the Pea" was adapted to the musical stage in a production referred to as once upon a Mattress starring Carol Burnett.

Plot:


The story tells of a prince who desires to marry a princess, but is having difficulty finding a suitable wife. Something is always wrong with those he meets, and he cannot be certain they are real princesses. One stormy night, a young woman drenched with rain seeks shelter in the prince's castle.


She claims to be a princess, so the prince's mother decides to test their unexpected guest by placing a pea in the bed she is offered for the night, covered by 20 mattresses and 20 feather beds. In the morning the guest tells her hosts—in a speech colored with double entendres —that she endured a sleepless night, kept awake by something hard in the bed; which she is certain has bruised her.

The prince rejoices. Only a real princess would have the sensitivity to feel a pea through such a quantity of bedding. The two are married, and the pea is placed in the Royal Museum.

Sunday, December 11, 2011

Sadko-Paintings


Sadko may be a Russian medieval epic. The title character is an adventurer, merchant and gusli musician from Novgorod. Sadko played the gusli on the shores of a lake.

The Sea Tsar enjoyed his music, and offered to help him. Sadko was instructed to create a bet with the local merchants regarding catching a certain fish in the lake; when he caught it, the merchants had to pay the wager, making Sadko a rich merchant.

Sadko traded on the seas along with his new wealth, but did not pay proper respects to the Tsar as per their agreement. The Tsar stopped Sadko's ships in the sea. 

He and his sailors tried to appease the Sea Tsar with gold, to no avail. Sadko's crew forced him to jump into the ocean. There, he played the gusli for the Sea Tsar, who offered him a new bride. On advice, he took the last maiden during a long line, and lay down beside her.

He woke up on the seashore and rejoined his wife.


Motifs:
In some variants, Sadko is chosen to jump overboard by throwing lots between the men. This motif may be a widespread device, appearing, for instance, in Child ballad 57 Brown Robyn's Confession.

Adaptations:
This tale attracted the attention of many authors in the 19th century with the rise of the Slavophile movement and served as a basis for a variety of derived works, most notably the poem "Sadko" by Alexei Tolstoy (1871–1872) and the opera Sadko composed by Nikolai Rimsky-Korsakov, who also wrote the libretto. In 1953, Aleksandr Ptushko directed a movie based on the opera entitled Sadko. A shortened and heavily-modified American version of this film entitled The Magic Voyage of Sinbad was spoofed on Mystery Science Theater 3000.

Historical parallels:
Sadko will be viewed as a metaphor for Yaroslavl the Wise. The liberation of the Novgorodian people by Sadko may be linked to the establishment of the Novgorod Republic by Yaroslavl. Sadko might also be based on an exact Sedko Sitinits, who is mentioned in the Novgorodian First Chronicle as the patron of the stone Church of Boris and Gleb built in the Novgorodian Detinets in 116.

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