In proper academic procedure, Copley first used browns and grays to work out the overall distribution of the scene before considering the color scheme and details. Sunshine pours in from a roundel window over the throne canopy, spotlighting the stricken Pitt. The pencil lines drawn over this study create a proportional grid called “squaring” that enabled the fine artist to transfer and enlarge the fine art reproduction design. In 1781, after two years’ work, Copley installed his ten-foot-wide picture in a pavilion and charged admission to his popular one-work show. How Copley had persuaded fifty-five noblemen to sit for their oil portraits became the talk of British society.
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