Monday, December 13, 2010


Even though high level of stylization, mystical appeal, and surreal elegance were often preferred over realism, beginning with the medieval Song Dynasty there were many Chinese painters then and afterwards who depicted scenes of nature that were brightly real.

Later Ming Dynasty artists would take after this Song Dynasty emphasis for complicated detail and realism on objects in nature, especially in depictions of animals (such as ducks, swans, sparrows, tigers, etc.) amongst patches of brightly-colored flowers and thickets of brush and wood.

There were many well-known Ming Dynasty artists; Qiu Ying is an excellent example of a paramount Ming era painter (famous even in his own day), utilizing in his artwork domestic scenes, bustling palatial scenes, and nature scenes of river valleys and steeped mountains shrouded in mist and swirling clouds. During the Ming Dynasty there were also different and rivaling schools of art associated with painting, such as the Wu School and the Zhen School.

Classical Chinese painting continued on into the early modern Qing Dynasty, with highly realistic portrait paintings like seen in the late Ming Dynasty of the early 17th century. The portraits of Kangxi Emperor, Yongzheng Emperor, and Qianlong Emperor are excellent examples of realistic Chinese portrait painting. During the Qianlong reign period and the continuing 19th century;

European Baroque styles of painting had noticeable influence on Chinese portrait paintings, especially with painted visual effects of lighting and shading. Likewise, East Asian paintings and other works of art were highly prized in Europe since initial contact in the 16th century.

0 comments: