Wednesday, October 22, 2008

Albert Pinkham Ryder, though a near contemporary of both Homer and Eakins, was a very different sort of oil painter. Hermitlike and visionary, he explored biblical, literary, and mythological themes. His Siegfried and the Rhine Maidens was inspired by Richard Wagner’s The Ring of the Nibelungs. Ryder claimed, “I had been to hear the opera and went home about twelve o’clock and began this picture. I worked for forty-eight hours without sleep or food.” Nevertheless, when he exhibited the canvas in New York in 1891, he had been revising it for three years.

Lit by an eerie moon, the Rhine River nymphs recoil in horror when they realize that the German warrior Siegfried possesses their stolen, magic ring. After he refuses to return it, they predict that he will die violently. To evoke impending doom, Ryder devised tortured shapes, crusty textures, and an unearthly green color scheme.

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