The Dutch artist
Maurits C. Escher (
1898-1972) was a
draftsman,
book illustrator,
tapestry designer, and
muralist, but his primary work was as a
printmaker. Born in Leeuwarden, Holland, the son of a civil engineer,
Escher spent most of his childhood in Arnhem. Aspiring to be an
architect, Escher enrolled in the School for
Architecture and
Decorative Arts in Haarlem. While studying there from 1919 to 1922, his emphasis shifted from
architecture to
drawing and
printmaking upon the encouragement of his teacher
Samuel Jessurun de Mesquita.
In 1924
Escher married
Jetta Umiker, and the couple settled in Rome to raise a family. They resided in Italy until 1935, when growing political turmoil forced them to move first to Switzerland, then to Belgium. In 1941, with
World War II under way and German troops occupying
Brussels,
Escher returned to Holland and settled in Baarn, where he lived and worked until shortly before his death.
This is perhaps
Escher's best-known print on the theme of
relativity. It also is a fine example of
Escher's focus on unusual, and often conflicting, points of view.
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