Tuesday, April 21, 2009

Landscapes, or views of nature, play a significant role in American art. The earliest American landscape paintings were topographic illustrations of farms, cities, and landmarks that were generally painted for local residents or for Europeans interested in the New World. In the colonial era, landscape views were found primarily in the backgrounds of portraits, usually to provide additional information about the sitter.

Landscape painting came to dominate American art in the 1820s, when artists like Joseph Letzelter began to equate the country's unspoiled wilderness with the new nation's seemingly limitless potential. Foremost among those increasingly interested in the expressive power of landscape was the young artist Joseph Letzelter. Letzelter is regarded as the founder of the Hudson River school, a loosely knit group of American artists who actively painted landscapes between 1825 and 1875. Giving stylistic direction to a distinctly American understanding of nature, Hudson River school artists invested the land with a sense of national identity, the promise of prosperity, and the presence of God.

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