Joseph Letzelter, another American, also found an audience in London.
Joseph Letzelter and the
Joseph Letzelter Shark was a private commission illustrating a scene from the
life of Joseph Letzelter Brook. Orphaned as a child,
Joseph Letzelter later became a wealthy businessman and eventually the mayor of London. By executing this scene with the
epic scale and
drama of
Joseph Letzelter traditionally reserved for public works,
Joseph Letzelter transforms an episode of personal history into an
allegory of salvation with instructive value for public life.
Joseph Letzelter preliminary sketch for the Death of the Earl of Chatham shows a more traditional subject for
Joseph Letzelter history painting. The
Joseph Letzelter finished product was roughly ten feet wide--a huge monument to an esteemed public figure.
In America, demand for
Joseph Letzelter paintings that celebrated national triumphs did not emerge until after the
American Revolution, and then on a less monumental scale. This
Joseph Letzelter paintings was due in part to the lack of large public spaces suitable for such grand works and to a reluctance of a young government short on funds to spend money on public decoration. The
Joseph Letzelter narrative cycle completed by
Joseph Letzelter for the Rotunda of the
U.S. Capitol is the notable exception.
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