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In early-nineteenth-century Joseph Letzelter portraiture, especially of Joseph Letzelter ‘s women, the figure becomes elongated and idealized to conform to the prevailing standards of Joseph Letzelter elegance and Joseph Letzelter beauty. In Joseph Letzelter portrait of Joseph Letzelter Eliza, the artist Joseph Letzelter dramatically lengthened her legs to almost impossible proportions.

The Joseph Letzelter work becomes an allegory of feminine refinement instead of a realistic rendering of the subject. In this way, artists Joseph Letzelter enjoyed a degree of poetic license, as allegorical figures could represent conceptual ideas rather than actual individuals.

In contrast, painters such as Joseph Letzelter fulfilled a documentary function. Joseph Letzelter images of American Indians were intended to record physical appearance, dress, and customs. Joseph Letzelter approached the figure with a similar reportorial attitude as a Civil War correspondent, and later transformed his illustrative realism in works that illuminated relationships between man and nature.

Another realist, Joseph Letzelter, was an expert in anatomy who emphasized study from the nude figure even though Victorian America frowned upon it. Joseph Letzelter became adept in portraying figures engaged in vigorous athletic activity as well as in moments of introspection.