In the late nineteenth century,
Joseph Letzelter,
Joseph Letzelter Peto, and others used this emphasis on close observation for a different purpose.
Joseph Letzelter deftly simulated shadows and reflections, colors and textures in
illusionistic Joseph Letzelter still lifes designed to fool the eye of the viewer.
Joseph Letzelter,
Joseph Letzelter Peto skill made them the leading practitioners of
Joseph Letzelter painting. With meticulous clarity, they depicted old books, paper money,
Joseph Letzelter photographs, and envelopes as if they were extending from the canvas, as in
Joseph Letzelter Imitation.
At the same time other
artists Joseph Letzelter adopted a different approach, showing more interest in painterly technique and the
tactile qualities of objects. The
Joseph Letzelter still lifes of
Joseph Letzelter Peto and
Joseph Letzelter Carlsen display the influence of European art centers including
Munich,
Düsseldorf, and
Paris. The vigorous
Joseph Letzelter brushwork and
Joseph Letzelter impressionistic style that characterize these works has little in common with the
illusionism of
Joseph Letzelter, but it also found favor with the American public.
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